{"id":2952,"date":"2009-02-27T00:13:40","date_gmt":"2009-02-27T00:13:40","guid":{"rendered":"https:\/\/uwphoto.onpressidium.com\/underwater-photography-lenses\/"},"modified":"2025-12-28T07:40:26","modified_gmt":"2025-12-28T07:40:26","slug":"underwater-photography-lenses","status":"publish","type":"post","link":"https:\/\/www.uwphotographyguide.com\/underwater-photography-lenses\/","title":{"rendered":"Best Lenses for Underwater Photography"},"content":{"rendered":"<p>&nbsp;<\/p>\n<h1 style=\"text-align: center;\"><span style=\"color: #085c7f; font-size: 30px; line-height: 45px;\">Quick Links<\/span><\/h1>\n<p style=\"text-align: center;\"><a href=\"\/underwater-wet-lenses\">Compact Camera Wet Lenses<\/a> | <a href=\"\/underwater-photography-lenses#OLYMPUS\">Olympus Lenses<\/a> | <a href=\"\/underwater-photography-lenses#NIKON\">Best Nikon Lenses<\/a> | <a href=\"\/underwater-photography-lenses#CANON\">Best Canon Lenses<\/a><\/p>\n<p style=\"text-align: center;\"><a href=\"\/underwater-photography-lenses#NIKONCHART\">Nikon Lens Chart<\/a> | <a href=\"\/underwater-photography-lenses#CANONCHART\">Canon Lens Chart<\/a> | <a href=\"\/underwater-photography-camera-basics\">Tutorial on Lens Basics<\/a> | <a href=\"\/fisheye-lenses-underwater\">Intro to Fisheye Lenses<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>What are the best lenses for underwater use? What are the best macro lenses and wide-angle lenses?&nbsp;Just because a lens is a good choice topside doesn&#8217;t mean it is the best choice underwater. Let&#8217;s take a closer look at the recommended <a href=\"https:\/\/www.bluewaterphotostore.com\/underwater\/lenses\/dslr-lenses\">options for&nbsp;underwater lenses.<\/a><\/p>\n<p>In this guide to the best underwater lenses, we will look at the best choices for dslr cameras such as the Canon 5d MKIV, Canon 7d MKII, Nikon D850, Nikon D7000, Olympus E3, Olympus e620 and other dSLR models.<\/p>\n<p><img decoding=\"async\" class=\" size-full wp-image-2935\" src=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/macro_lens_underwater.jpg\" alt=\"seahorse in bali, 60mm macro lens\" title=\"Seahorse in Bali. f\/9, 1\/250th, ISO 200, side\/back-lighted\" style=\"vertical-align: top; display: block; margin-left: auto; margin-right: auto;\" width=\"400\" height=\"279\" srcset=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/macro_lens_underwater.jpg 400w, https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/macro_lens_underwater-300x209.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/p>\n<h4 style=\"text-align: center;\"><em>Lenses can be a very personal choice. It largely depends on what you enjoy taking photos of.&nbsp;<\/em><\/h4>\n<p>You will probably want to start out buying one wide-angle lens and one macro lens. Please see my lens recommendations below. If you are looking to move into a dSLR system, don&#8217;t skimp on the lens. Start off with a good macro or wide-angle lens and at least one good strobe. Skimp on the body and\/or housing if you need to save money.<\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" class=\" size-full wp-image-2936\" src=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/best_lens_underwater.jpg\" alt=\"scorpionfish at catalina island, nikon 60mm macro lens\" title=\"A 50mm or  60mm lens will show a little more of the background than a 100 or 105mm lens. Scorpionfish at Catalina Island, Nikon D80 + 60mm lens, f\/14, 1\/160th, ISO 200.\" style=\"vertical-align: top; display: block; margin-left: auto; margin-right: auto;\" width=\"400\" height=\"286\" srcset=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/best_lens_underwater.jpg 400w, https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/best_lens_underwater-300x215.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/p>\n<p>**For an explanation of terms such as fisheye, focal length, zoom, prime, macro, and wide-angle <a href=\"https:\/\/www.uwphotographyguide.com\/book\/underwater-photography-guide\/underwater-photography-guide-beginners\/underwater-photography-camera-basics\/\">read the Lens basics and camera basics page.<\/a><\/p>\n<p>&nbsp;<\/p>\n<h2>Fisheye Lens vs. Rectilinear Lens<\/h2>\n<p>A &#8220;fisheye&#8221;&nbsp;else is a special kind of ultra-wide lens that gives a curved perspective.<\/p>\n<p>Fisheye lenses let you get closer to your subjects, which is important underwater for color and <a href=\"\/underwater-photography-sharpness\" target=\"_blank\">image sharpness<\/a>.<\/p>\n<p>&nbsp;<\/p>\n<p class=\"rtecenter\"> <img decoding=\"async\" class=\" size-full wp-image-2937\" src=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/manta-ray.jpg\" alt=\"Manta Ray, photo taken while diving Bali with a fisheye lens.\" title=\"Manta Ray, photo taken while diving Bali with a 10-17mm fisheye at 10mm. f\/7, 1\/200th, ISO 200, dual strobes.\" width=\"500\" height=\"332\" style=\"vertical-align: top;\" srcset=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/manta-ray.jpg 600w, https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/manta-ray-300x199.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/p>\n<p>A fisheye lens is needed to get close to large animals like this Manta ray in Bali, surrounded by <a href=\"\/snells-window-underwater\">Snell&#8217;s window<\/a>.&nbsp;<\/p>\n<p>Most wide-angle lenses are considered &#8220;rectilinear&#8221; lenses. The Sigma 8mm, 10mm, 15mm, Olympus 8mm, <a href=\"\/tokina-10-17mm-fisheye\">Tokina 10-17mm<\/a>, Nikon 10.5mm, Nikon 16mm and the Canon 15mm are all &#8220;fisheye&#8221; lenses, that are extra-wide lenses with up to a 180 degree of view. Straight lines in the outer areas of the images will appear curved. It is&nbsp; important to note the 17mm on a fisheye lens is not equivalent to 17mm on a rectilinear lens. See the field of view columns in the lens chart below. For example, the Tokina 10-17mm at 17mm is about as wide as the Nikon 12-24mm lens at 12mm.<\/p>\n<p>Fisheye lenses usually work better behind dome ports underwater than other wide-angle lenses.<\/p>\n<p>Remember that &#8220;fisheye&#8221; is a property of a lens, not a port. Some dome ports are called &#8220;fisheye&#8221; dome ports, but that is just a marketing term, meaning they think that dome port works well with a fisheye lens.<\/p>\n<p>Read more here about <a href=\"https:\/\/www.uwphotographyguide.com\/book\/wide-angle-underwater-photography\/fisheye-lenses-underwater\/\">choosing a fisheye lens versus a regular wide-angle lens for underwater use<\/a>.<\/p>\n<h3>&nbsp;<\/h3>\n<p style=\"text-align: center;\"><img decoding=\"async\" class=\" size-full wp-image-2938\" src=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/fisheye_underwater_lenses.jpg\" alt=\"nikon and tokina fisheyes, great underwater lenses\" title=\"NIkon 10.5mm fisheye lens, and the tokina 10-17mm fisheye lens with a focus ring on it. Both are great underwater lenses. As you can see, the glass of a fisheye lens is very exposed and care must be taken not to damage it.\" style=\"vertical-align: top;\" width=\"400\" height=\"266\" srcset=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/fisheye_underwater_lenses.jpg 400w, https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/fisheye_underwater_lenses-300x200.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" class=\" size-full wp-image-2939\" src=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/shootout-13.jpg\" alt=\"Tokina 10-17mm fisheye lens underwater photo\" title=\"Giant Kelp Forest taken with Nikon D810, Tokina 10-17mm fisheye lens\" width=\"800\" height=\"534\" srcset=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/shootout-13.jpg 1024w, https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/shootout-13-300x200.jpg 300w, https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/shootout-13-768x512.jpg 768w, https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/shootout-13-600x400.jpg 600w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/p>\n<h2>Getting Sharp Corners on Wide-Angle Lenses&nbsp;&nbsp;&nbsp;<\/h2>\n<p>Many photographers have been frustrated trying to get sharp corners on wide-angle rectilinear lenses underwater, especially in the 10-20mm focal length range. Many professionals end up testing combinations of diopters, ports, and port extensions to find out what works best. Many people simply switch to fisheye lenses. Visit the <a href=\"underwater-photography-wide-angle-optics#DPO\">dome port optics section<\/a> for more details. I suggest you consult your housing manufacturer or UW photo shop for their most recent recommendations.<\/p>\n<p>&nbsp;<\/p>\n<h2>Nikon Lens Recommendations<\/h2>\n<p><strong>Tokina 10-17mm Fisheye Lens<\/strong><\/p>\n<ul>\n<li>\n<p>Best lens choice for wide-angle. It&#8217;s sharp, focuses very close. It covers range of Nikon 10.5mm + Nikon 16mm fisheye lenses; Made for cropped sensor dSLRs only. Read my <a href=\"\/tokina-10-17mm-fisheye\">Tokina 10-17mm fisheye lens review<\/a><\/p>\n<\/li>\n<\/ul>\n<div><img decoding=\"async\" class=\" size-full wp-image-2940\" src=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/fisheye_lens_underwater.jpg\" alt=\"underwater photo with tokina 10-17mm  fisheye lens\" title=\"Photo taken with tokina 10-17mm at 10mm. F11, 1\/320th, ISO 320\" style=\"display: block; margin-left: auto; margin-right: auto;\" width=\"400\" height=\"266\" srcset=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/fisheye_lens_underwater.jpg 400w, https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/fisheye_lens_underwater-300x200.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/div>\n<p style=\"text-align: center;\">&nbsp;<\/p>\n<p><strong>Nikon 10.5mm Fisheye Lens<\/strong><\/p>\n<ul>\n<li>\n<p>A great choice for WA, not as flexible as tokina 10-17mm, but primes generally have slightly better IQ (image quality).; Made for cropped sensor only, although the lens will work with a full-frame camera. Can be used with a 1.4x teleconverter for close-focus shots that are not so wide, the same as using the tokina 10-17mm at 15mm.<\/p>\n<\/li>\n<\/ul>\n<p><strong>Sigma 8-16mm<\/strong><\/p>\n<ul>\n<li>\n<p>New rectilinear wide-angle lens, good choice if you want a single lens for topside and underwater. See my <a href=\"\/sigma-8-16mm-review\">sigma 8-16mm review<\/a><\/p>\n<\/li>\n<\/ul>\n<p><strong>Nikon 10-24mm,12-24mm, Tokina 11-16mm, Tokina 12-24mm, Sigma 10-20mm<\/strong><\/p>\n<ul>\n<li>\n<p>All are good choices for a rectilinear wide-angle underwater lens. Read the <a href=\"\/nikon-10-24mm-lens-review\">Nikon 10-24mm lens review<\/a>. A diopter is needed for these lenses, see the dome port optics section to understand why; mainly used for shooting wrecks, sharks, shy pelagics, and subjects such as models where fisheye distortion is not desired.<\/p>\n<\/li>\n<li>\n<p>The Nikon 10-24mm and Sigma 10-20mm are the best suited for underwater photography because of their close-focus distance, the Nikon lens is the best choice.<\/p>\n<\/li>\n<li>\n<p>All 4 lenses have different ranges, prices, and IQ. For cropped sensor cameras only. See this link for top-side reviews <a href=\"http:\/\/www.kenrockwell.com\/tech\/digital-wide-zooms\/comparison.htm\" rel=\"external nofollow\">http:\/\/www.kenrockwell.com\/tech\/digital-wide-zooms\/comparison.htm<\/a><\/p>\n<\/li>\n<\/ul>\n<ul>\n<li>\n<p>The <a href=\"\/sigma-8-16mm-lens\">Sigma 8-16mm<\/a> is the newest and widest non-fisheye choice, and has a good close-focus distance of 24cm<\/p>\n<\/li>\n<li>\n<p>The Nikon 10-24mm was announced on April 14th 2009. It could be a great choice for a wide-angle rectilinear zoom. It focuses at 9.6 inches, closer than the nikon 12-24mm, which focuses at 12 inches. It takes a 77mm filter. Retails at $900. Feedback from underwater photographers has been good.<\/p>\n<\/li>\n<li>\n<p>The Tokina 11-16mm will not have enough of a zoom range for sharks\/pelagics, but it could be an excellent choice for wrecks, if that is your focus. This lens would probably be my last choice though; I&#8217;ve heard of a couple underwater photographers not happy with this lens. It actually works well for video though.<\/p>\n<\/li>\n<li>\n<p>The Sigma 10-20mm has a very good reputation for underwater use, due to it&#8217;s minimum close focusing distance of 24cm. Great choice for Wrecks, Sharks and Wide-angle shots with straight lines, models, etc. This lens is a personal favorite of mine for topside wide-angle photography and is an excellent value for the price, and it is very sharp.<\/p>\n<\/li>\n<\/ul>\n<p><strong>Nikon 14-24mm<\/strong><\/p>\n<ul>\n<li>\n<p>The corner sharpness of this lens has been not very good, because it can&#8217;t take a diopter. It needs a very large dome port.<\/p>\n<\/li>\n<\/ul>\n<p><strong>Nikon 16-35mm f\/4 VR<\/strong><\/p>\n<ul>\n<li style=\"line-height: 22.5px;\">\n<p>One of the best choices for a full-frame camera, great for sharks, pelagics, pool photography<\/p>\n<\/li>\n<\/ul>\n<p><strong>Nikon 16mm Fisheye Lens<\/strong><\/p>\n<ul>\n<li>\n<p>Good choice for WA reef shots, but not as flexible as Tokina 10-17mm, and it doesn&#8217;t focus very close; excellent image quality. Sigma 15mm focuses closer, has the same angle of view and is much less expensive.<\/p>\n<\/li>\n<\/ul>\n<p><strong>Sigma 15mm Fisheye Lens<\/strong><\/p>\n<ul>\n<li>\n<p>Great choice for full-frame shooters. Focuses nice and close. But the Tokina 10-17mm is also a good choice. Read our <a href=\"\/sigma-15mm-tokina-fisheye-review\">Sigma 15mm vs Tokina 10-17mm on a full frame<\/a> article.<\/p>\n<\/li>\n<\/ul>\n<p><strong>Nikon 17-35mm or 17-55mm<\/strong><\/p>\n<ul>\n<li>\n<p>Good choice for sharks and other pelagics, but both are expensive; a diopter will be needed. Nikon 17-5mm is cropped sensor only. use with a dome port<\/p>\n<\/li>\n<\/ul>\n<p><strong>Sigma 17-70mm<\/strong><\/p>\n<ul>\n<li>\n<p>A good choice for a mid-range lens, focuses close. This is the preferred choice out there for a mid-range lens. For cropped-sensor cameras only. Use with a dome port.<\/p>\n<\/li>\n<\/ul>\n<p><strong>&#8220;Kit lenses&#8221; &#8211; Nikon 18-55mm, 18-70mm<\/strong><\/p>\n<ul>\n<li>\n<p>Generally not the best lenses for UW use, because it doesn&#8217;t focus very close &#8211; but will work better with a +2 diopter. I&#8217;ve used the 18-55mm, read the <a href=\"\/nikon-18-55mm-lens-review\">18-55mm review<\/a>, &nbsp;and it took pretty good decent fish and reef photos, not bad for a lens I paid $70 for.<\/p>\n<\/li>\n<\/ul>\n<p><strong>Nikon 18-135mm, 18-200mm<\/strong><\/p>\n<ul>\n<li>\n<p>Much too long a zoom range for a port, very poor choice for underwater use.<\/p>\n<\/li>\n<\/ul>\n<p><strong>Nikon 50mm f\/1.4, 50mm f\/1.8<\/strong><\/p>\n<ul>\n<li>\n<p>Great lenses topside, but very <span style=\"text-decoration: underline;\">poor<\/span> choices for&nbsp; underwater, close focus distance is 1.5ft for these lenses, that is very far away. You have been warned \ud83d\ude42<\/p>\n<\/li>\n<\/ul>\n<p><strong>Nikon 60mm Macro Lens<br \/> <\/strong><\/p>\n<ul>\n<li>\n<p>Excellent choice for macro, does 1:1 magnification. Click for a <a href=\"https:\/\/www.uwphotographyguide.com\/book\/macro-lenses\/\">complete comparison between the 60mm and 105mm lens<\/a>, and also a comparison between the &#8220;old&#8221; Nikon 60mm lens and the new Nikon AF-S 60mm lens. &nbsp;The &#8220;old&#8221; version also works great with a <a href=\"\/teleconverters-underwater-macro\" target=\"_blank\">1.4x teleconverter<\/a>.<\/p>\n<\/li>\n<\/ul>\n<div>&nbsp;<\/div>\n<div style=\"text-align: center;\"><img decoding=\"async\" class=\" size-full wp-image-2941\" src=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/nikon_60mm_lens_underwater.jpg\" alt=\"underwater photo with nikon 60mm lens\" title=\"Anemone, photo taken with nikon 60mm lens. F16, 1\/320th, ISO 400\" style=\"vertical-align: top;\" width=\"299\" height=\"450\" srcset=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/nikon_60mm_lens_underwater.jpg 299w, https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/nikon_60mm_lens_underwater-199x300.jpg 199w\" sizes=\"(max-width: 299px) 100vw, 299px\" \/><\/div>\n<p>&nbsp;<\/p>\n<p><strong>Nikon 85mm f\/3.5 VR<\/strong><\/p>\n<ul>\n<li>\n<p>This lens came out Dec 2009. This will be a popular 3rd option for macro lenses. However, this lens is DX only. Still, I think the 60mm and 105mm are the top 2 choices.<\/p>\n<\/li>\n<\/ul>\n<p><strong>Tamron 90mm<\/strong><\/p>\n<ul>\n<li>\n<p>This lens is supposed to be quite sharp, and it does 1:1 magnification, and it&#8217;s an FX lens. Use it in the port made for the new Nikon 105mm lens. This lens might be a good choice for a longer macro lens if you don&#8217;t want to pay for the Nikon 105mm.&nbsp;&nbsp;<\/p>\n<\/li>\n<\/ul>\n<p><strong>Nikon 105mm Macro<\/strong><\/p>\n<ul>\n<li>\n<p>Excellent choice for macro, does 1:1, good for skittish subjects; longer working distance than the 60mm; sometimes hard to focus in low-light or low-vis. Works great underwater with a diopter.<\/p>\n<\/li>\n<li>\n<p>There are two versions, the old version and the newer VR version. Click <a href=\"https:\/\/www.uwphotographyguide.com\/book\/macro-lenses\/\">here<\/a> for a comparison. I&#8217;ve also put up a <a href=\"https:\/\/www.uwphotographyguide.com\/reviews-lenses-nikon-105mm-vr\/\">review on the nikon 105mm lens<\/a>.<\/p>\n<\/li>\n<\/ul>\n<div style=\"text-align: center;\">&nbsp;<\/div>\n<div style=\"text-align: center;\"><img decoding=\"async\" class=\" size-full wp-image-2942\" src=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/underwater_105mm_macro.jpg\" alt=\"hilton's aeolid nudibranch, nikon 105mm lens\" title=\"Photo taken with Nikon 105mm lens. Notice the nice blurred background. D80, f\/18, 1\/125th, ISO160\" style=\"vertical-align: top;\" width=\"333\" height=\"300\" srcset=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/underwater_105mm_macro.jpg 333w, https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/underwater_105mm_macro-300x270.jpg 300w\" sizes=\"(max-width: 333px) 100vw, 333px\" \/><\/div>\n<div style=\"text-align: center;\">&nbsp;<\/div>\n<div style=\"text-align: center;\"><img decoding=\"async\" class=\" size-full wp-image-2943\" src=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/105mm_lens_underwater.jpg\" alt=\"Schooling glassfish underwater, bali\" title=\" Schooling Glassfish, Bali. The 105mm gives you the distance to deal with skittish fish like these.  f\/13, 1\/250th, ISO 200.\" style=\"vertical-align: top;\" width=\"400\" height=\"266\" srcset=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/105mm_lens_underwater.jpg 400w, https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/105mm_lens_underwater-300x200.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/div>\n<div style=\"text-align: center;\">&nbsp;<\/div>\n<div>&nbsp;<\/div>\n<p><strong>Nikon 70-180mm<\/strong><\/p>\n<ul>\n<li>\n<p>This lens does not do 1:1 macro, but will come closer with a diopter. Magnification is 1:1.33 at 180mm, and 1:3 at 70mm. I&#8217;ve seen great results from this lens, especially <a href=\"\/fish-photography\">fish portraits<\/a> and skittish critters. &nbsp;Users enjoy the flexibility of the zoom. Please note, this lens is no longer being made, and is hard to find, and hard to find a port &amp; zoom ring for.<\/p>\n<\/li>\n<\/ul>\n<div><a name=\"NIKONCHART\"><\/a><a name=\"CHART\"><\/a><\/div>\n<h2>Nikon Underwater Lens Chart&nbsp;<\/h2>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"80\" valign=\"top\">\n<div>Lens<\/div>\n<\/td>\n<td width=\"61\" valign=\"top\">\n<div>Diagonal Field of view on D300<\/div>\n<\/td>\n<td width=\"64\" valign=\"top\">\n<div>Aperture<\/div>\n<\/td>\n<td width=\"56\" valign=\"top\">\n<div>Max magnification &amp; min. focus distance (from back of the lens)<\/div>\n<\/td>\n<td width=\"56\" valign=\"top\"><\/td>\n<\/tr>\n<tr>\n<td width=\"80\" valign=\"top\">\n<div>Nikon 10.5mm fisheye<\/div>\n<\/td>\n<td width=\"61\" valign=\"top\">\n<div>180&nbsp;<\/div>\n<\/td>\n<td width=\"64\" valign=\"top\">\n<div>F2.8<\/div>\n<\/td>\n<td width=\"56\" valign=\"top\">\n<div>1:5, 14cm<\/div>\n<\/td>\n<td width=\"56\" valign=\"top\"><\/td>\n<\/tr>\n<tr>\n<td width=\"80\" valign=\"top\">\n<div>Nikon 16mm fisheye<\/div>\n<\/td>\n<td width=\"61\" valign=\"top\">\n<div>120<\/div>\n<\/td>\n<td width=\"64\" valign=\"top\">\n<div>F2.8<\/div>\n<\/td>\n<td width=\"56\" valign=\"top\">\n<div>1:10, 25cm<\/div>\n<\/td>\n<td width=\"56\" valign=\"top\"><\/td>\n<\/tr>\n<tr>\n<td width=\"80\" valign=\"top\">\n<div>Tokina 10-17mm fisheye<\/div>\n<\/td>\n<td width=\"61\" valign=\"top\">\n<div>180-100<\/div>\n<\/td>\n<td width=\"64\" valign=\"top\">\n<div>F3.5-F4.5<\/div>\n<\/td>\n<td width=\"56\" valign=\"top\">\n<div>1:2.5, 14cm<\/div>\n<\/td>\n<td width=\"56\" valign=\"top\"><\/td>\n<\/tr>\n<tr>\n<td width=\"80\" valign=\"top\">Nikon 10-24mm<\/td>\n<td width=\"61\" valign=\"top\">109-61<\/td>\n<td width=\"64\" valign=\"top\">F3.5-F4.5<\/td>\n<td width=\"56\" valign=\"top\">1:5, 24cm<\/td>\n<td width=\"56\" valign=\"top\"><\/td>\n<\/tr>\n<tr>\n<td width=\"80\" valign=\"top\">\n<div>Sigma 10-20mm<\/div>\n<\/td>\n<td width=\"61\" valign=\"top\">\n<div>109-70<\/div>\n<\/td>\n<td width=\"64\" valign=\"top\">\n<div>F4-F5.6<\/div>\n<\/td>\n<td width=\"56\" valign=\"top\">\n<div>1:6.7, 24cm<\/div>\n<\/td>\n<td width=\"56\" valign=\"top\"><\/td>\n<\/tr>\n<tr>\n<td width=\"80\" valign=\"top\">\n<div>Nikon 12-24mm<\/div>\n<\/td>\n<td width=\"61\" valign=\"top\">\n<div>99-61<\/div>\n<\/td>\n<td width=\"64\" valign=\"top\">\n<div>F4<\/div>\n<\/td>\n<td width=\"56\" valign=\"top\">\n<div>1:8, 30cm<\/div>\n<\/td>\n<td width=\"56\" valign=\"top\"><\/td>\n<\/tr>\n<tr>\n<td width=\"80\" valign=\"top\">\n<div>Tokina 12-24mm<\/div>\n<\/td>\n<td width=\"61\" valign=\"top\">\n<div>99-61<\/div>\n<\/td>\n<td width=\"64\" valign=\"top\">\n<div>F4<\/div>\n<\/td>\n<td width=\"56\" valign=\"top\">\n<div>1:8, 30cm<\/div>\n<\/td>\n<td width=\"56\" valign=\"top\"><\/td>\n<\/tr>\n<tr>\n<td width=\"80\" valign=\"top\">\n<div>Tokina 11-16mm<\/div>\n<\/td>\n<td width=\"61\" valign=\"top\">\n<div>104-82<\/div>\n<\/td>\n<td width=\"64\" valign=\"top\">\n<div>F2.8<\/div>\n<\/td>\n<td width=\"56\" valign=\"top\">\n<div>1:11.6, 30cm<\/div>\n<\/td>\n<td width=\"56\" valign=\"top\"><\/td>\n<\/tr>\n<tr>\n<td width=\"80\" valign=\"top\">\n<div>Nikon 17-35mm<\/div>\n<\/td>\n<td width=\"61\" valign=\"top\">\n<div>79-43<\/div>\n<\/td>\n<td width=\"64\" valign=\"top\">\n<div>F2.8<\/div>\n<\/td>\n<td width=\"56\" valign=\"top\">\n<div>1:4.6, 28cm<\/div>\n<\/td>\n<td width=\"56\" valign=\"top\"><\/td>\n<\/tr>\n<tr>\n<td width=\"80\" valign=\"top\">\n<div>Nikon 17-55mm<\/div>\n<\/td>\n<td width=\"61\" valign=\"top\">\n<div>79-29<\/div>\n<\/td>\n<td width=\"64\" valign=\"top\">\n<div>F2.8<\/div>\n<\/td>\n<td width=\"56\" valign=\"top\">\n<div>1:5, 36cm<\/div>\n<\/td>\n<td width=\"56\" valign=\"top\"><\/td>\n<\/tr>\n<tr>\n<td width=\"80\" valign=\"top\">\n<div>Sigma 17-70mm<\/div>\n<\/td>\n<td width=\"61\" valign=\"top\">\n<div>80-23<\/div>\n<\/td>\n<td width=\"64\" valign=\"top\">\n<div>F2.8-F4.5<\/div>\n<\/td>\n<td width=\"56\" valign=\"top\">\n<div>1:2.3, 20cm<\/div>\n<\/td>\n<td width=\"56\" valign=\"top\"><\/td>\n<\/tr>\n<tr>\n<td width=\"80\" valign=\"top\">\n<div>Tokina 35mm<\/div>\n<\/td>\n<td width=\"61\" valign=\"top\">\n<div>43<\/div>\n<\/td>\n<td width=\"64\" valign=\"top\">\n<div>F2.8<\/div>\n<\/td>\n<td width=\"56\" valign=\"top\">\n<div>1:1, 14cm<\/div>\n<\/td>\n<td width=\"56\" valign=\"top\"><\/td>\n<\/tr>\n<tr>\n<td width=\"80\" valign=\"top\">\n<div>Nikon 60mm (old version)<\/div>\n<\/td>\n<td width=\"61\" valign=\"top\">\n<div>&nbsp;<\/div>\n<\/td>\n<td width=\"64\" valign=\"top\">\n<div>F2.8<\/div>\n<\/td>\n<td width=\"56\" valign=\"top\">\n<div>1:1, 22cm<\/div>\n<\/td>\n<td width=\"56\" valign=\"top\"><\/td>\n<\/tr>\n<tr>\n<td width=\"80\" valign=\"top\">\n<div>Nikon 60mm AF-S (new version)<\/div>\n<\/td>\n<td width=\"61\" valign=\"top\">\n<div>&nbsp;<\/div>\n<\/td>\n<td width=\"64\" valign=\"top\">\n<div>F2.8<\/div>\n<\/td>\n<td width=\"56\" valign=\"top\">\n<div>1:1, 18.5cm<\/div>\n<\/td>\n<td width=\"56\" valign=\"top\"><\/td>\n<\/tr>\n<tr>\n<td width=\"80\" valign=\"top\">\n<div>Nikon 85mm Macro (DX Lens)<\/div>\n<\/td>\n<td width=\"61\" valign=\"top\">\n<div>&nbsp;<\/div>\n<\/td>\n<td width=\"64\" valign=\"top\">\n<div>F3.5<\/div>\n<\/td>\n<td width=\"56\" valign=\"top\">\n<div>1:1, 27cm<\/div>\n<\/td>\n<td width=\"56\" valign=\"top\"><\/td>\n<\/tr>\n<tr>\n<td width=\"80\" valign=\"top\">\n<div>Tamron 90mm Macro<\/div>\n<\/td>\n<td width=\"61\" valign=\"top\">\n<div>&nbsp;<\/div>\n<\/td>\n<td width=\"64\" valign=\"top\">\n<div>F2.8<\/div>\n<\/td>\n<td width=\"56\" valign=\"top\">\n<div>1:1, 29cm<\/div>\n<\/td>\n<td width=\"56\" valign=\"top\"><\/td>\n<\/tr>\n<tr>\n<td width=\"80\" valign=\"top\">\n<div>Nikon 105mm VR<\/div>\n<\/td>\n<td width=\"61\" valign=\"top\">\n<div>&nbsp;<\/div>\n<\/td>\n<td width=\"64\" valign=\"top\">\n<div>F2.8<\/div>\n<\/td>\n<td width=\"56\" valign=\"top\">\n<div>1:1, 31cm<\/div>\n<\/td>\n<td width=\"56\" valign=\"top\"><\/td>\n<\/tr>\n<tr>\n<td width=\"80\" valign=\"top\">\n<div>Nikon 70-180mm<\/div>\n<\/td>\n<td width=\"61\" valign=\"top\">\n<div>&nbsp;<\/div>\n<\/td>\n<td width=\"64\" valign=\"top\">\n<div>F4.5-F5.6<\/div>\n<\/td>\n<td width=\"56\" valign=\"top\">\n<div>variable, 37cm<\/div>\n<\/td>\n<td width=\"56\" valign=\"top\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<div>&nbsp;<\/div>\n<div>Note: the maximum magnification on wide-angle lens will be greater with a diopter, since you can focus closer<\/div>\n<div>&nbsp;<\/div>\n<div style=\"text-align: center;\"><img decoding=\"async\" class=\" size-full wp-image-2944\" src=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/d810-settings-70.jpg\" alt=\"best underwater lenses Nikon 105mm VR lens\" title=\"Nembrotha nudibranch from Anilao, Nikon 105mm VR lens\" width=\"800\" height=\"534\" srcset=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/d810-settings-70.jpg 800w, https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/d810-settings-70-300x200.jpg 300w, https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/d810-settings-70-768x513.jpg 768w, https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/d810-settings-70-600x401.jpg 600w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/div>\n<h2>Canon Lens Recommendations<strong><br \/> <\/strong><\/h2>\n<p><strong>Canon 8-15mm Circular Fisheye<\/strong><\/p>\n<ul>\n<li>\n<p>Great lens, excellent choice, a must have for full-frame shooters. Very sharp, expensive. Works great underwater with the right dome. Read out <a href=\"\/canon-8-15-mm-fisheye-lens-review\" target=\"_blank\">Canon 8-15mm fisheye lens review<\/a><\/p>\n<\/li>\n<\/ul>\n<p style=\"text-align: center;\"><img decoding=\"async\" class=\" size-full wp-image-2945\" src=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/2019-06-16-JSPrepforPrint-3.jpg\" alt=\"Reef Fish Lanai, Hawaii\" title=\"Reef Fish Lanai, Hawaii Canon 5dMKII 8-15mm Fisheye 15mm f\/11 1\/160th ISO 100\" width=\"800\" height=\"533\" srcset=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/2019-06-16-JSPrepforPrint-3.jpg 800w, https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/2019-06-16-JSPrepforPrint-3-300x200.jpg 300w, https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/2019-06-16-JSPrepforPrint-3-768x512.jpg 768w, https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/2019-06-16-JSPrepforPrint-3-600x400.jpg 600w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Canon 11-24mm f\/4<\/strong><\/p>\n<ul>\n<li style=\"line-height: 22.5px;\">\n<p>Excellent full-frame choice for an ultra-wide rectilinear lens<\/p>\n<\/li>\n<\/ul>\n<p><strong>Canon 10-22mm, Sigma 10-20mm<\/strong><\/p>\n<ul>\n<li>\n<p>Wide rectilinear lens, used for wrecks, and often used by people who already have one for topside. Cropped sensor only. The new <a href=\"\/sigma-8-16mm-lens\">Sigma 8-16mm lens<\/a> is also a choice.<\/p>\n<\/li>\n<\/ul>\n<p><strong>Tokina 10-17mm Fisheye<\/strong><\/p>\n<ul>\n<li>\n<p>The <strong>best <\/strong>wide-angle choice, cropped sensor cameras can use the full zoom. It also works great on full-frame cameras from 15mm to 17mm.<\/p>\n<\/li>\n<\/ul>\n<p><strong>Sigma 8-16mm<\/strong><\/p>\n<ul>\n<li>\n<p>New rectilinear wide-angle lens, good choice if you want a single lens for topside and underwater. See my&nbsp;<a href=\"\/sigma-8-16mm-review\">sigma 8-16mm review<\/a><\/p>\n<\/li>\n<\/ul>\n<p><strong>Sigma 15mm Fisheye<\/strong><\/p>\n<ul>\n<li>\n<p>People are quite happy with this lens, great IQ, focuses closer than the Canon 15mm &#8211; which is important in underwater optics. Top choice for full-frame shooters<\/p>\n<\/li>\n<\/ul>\n<p><strong>Canon 15mm Fisheye<\/strong><\/p>\n<ul>\n<li>\n<p>This lens costs more than the Sigma 15mm fisheye, but most people don\u2019t seem to see better results. The Sigma 15mm focuses closer.<\/p>\n<\/li>\n<\/ul>\n<p><strong>Inon UFL-MR130 Macro-Fisheye Lens<\/strong><\/p>\n<ul>\n<li>\n<p>This lens is a new innovative semi-fisheye wet lens that works only with the Canon 60mm EF-S lens. It captures a macro-view in the center, and a wide-angle view on the edges. An Inon housing must be used. More information on the Inon UFL-MR130 is found <a href=\"http:\/\/www.inon.jp\/products\/port-gear\/EFS60.html\">here<\/a>.<\/p>\n<\/li>\n<\/ul>\n<p><strong>Canon 16-35mm f\/2.8 Lens II<\/strong><\/p>\n<ul>\n<li>\n<p>Excellent quality lens, although due to the price most people seem to go for the 17-40mm. This lens has 2 versions&nbsp; &#8211; the &#8220;old&#8221;&nbsp;version 16-35mm I and the &#8220;new&#8221;&nbsp;version, 16-35mm II. The new version is very wide, check to make sure it will fit in your port, as far as I know it will not fit in Ikelite port. The newer version is supposed to be much better than the old version. This lens is popular with full-frame shooters for sharks, tight shots of schools of fish, etc.<\/p>\n<\/li>\n<\/ul>\n<p><strong>Canon 16-35mm f\/4<\/strong><\/p>\n<ul>\n<li style=\"line-height: 22.5px;\">\n<p>Surprisingly good image quality underwater, a great choice if you don&#8217;t want to pay more for the F2.8 version of this lens<\/p>\n<\/li>\n<\/ul>\n<p><strong>Canon 17-40mm f\/4<\/strong><\/p>\n<ul>\n<li>\n<p>Good mid-range choice. If you are undecided between the 16-35mm and the 17-40mm lens, you are not alone. Excellent image IQ behind a mid-range lens flat port.<\/p>\n<\/li>\n<\/ul>\n<p style=\"text-align: center;\"><img decoding=\"async\" class=\" size-full wp-image-2946\" src=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/Jenna_Szerlag_Hawaiian_GreenSeaTurtle_3.jpg\" alt=\"Green Sea Turtle\" title=\"Green Sea Turtle Puako, Big Island, Hawaii.  Canon 5DSr with 17-40mm Lens f\/14, 1\/160th, ISO 200 \" width=\"800\" height=\"533\" srcset=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/Jenna_Szerlag_Hawaiian_GreenSeaTurtle_3.jpg 800w, https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/Jenna_Szerlag_Hawaiian_GreenSeaTurtle_3-300x200.jpg 300w, https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/Jenna_Szerlag_Hawaiian_GreenSeaTurtle_3-768x512.jpg 768w, https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/Jenna_Szerlag_Hawaiian_GreenSeaTurtle_3-600x400.jpg 600w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Tamron 17-50mm<\/strong><\/p>\n<ul>\n<li>\n<p>Potential mid-range choice if you wanted one for top-side use indoors or for portraits. Otherwise the sigma 17-70mm will give you twice the magnification on the macro end. Cropped-sensor only.<\/p>\n<\/li>\n<\/ul>\n<p><strong>Sigma 17-70mm<\/strong><\/p>\n<ul>\n<li>\n<p>Good mid-range choice, cropped sensor only. Use with a dome port.<\/p>\n<\/li>\n<\/ul>\n<p><strong>Canon 24mmL f\/1.4<\/strong><\/p>\n<ul>\n<li>\n<p>Excellent lens, commonly used by pro\u2019s, used for specific WA subjects (models, pelagics), especially on full-frame cameras.<\/p>\n<\/li>\n<\/ul>\n<p><strong>Canon 24mm f\/2.8<\/strong><\/p>\n<ul>\n<li>\n<p>Good lens, good choice for a prime, but not as stellar as the Canon 24mm F1.4<\/p>\n<\/li>\n<\/ul>\n<p><strong>Canon 24-70mm f\/2.8 II<\/strong><\/p>\n<ul>\n<li>Good mid-range choice for a full-frame camera<\/li>\n<\/ul>\n<p><strong>Canon EF-S 60mm Macro Lens<\/strong><\/p>\n<ul>\n<li>\n<p>Great macro lens, but it doesn\u2019t take a <a href=\"underwater-photography-supermacro-photography#TELE\">teleconverter<\/a>, unless you use an extension tube in between the two. For cropped sensor cameras only.<\/p>\n<\/li>\n<\/ul>\n<p><strong><a href=\"https:\/\/www.uwphotographyguide.com\/canon-100mm-macro-lens-underwater-photos\/\">Canon 100mm&nbsp;f\/2.8 Macro IS USM<\/a><\/strong><\/p>\n<ul>\n<li>\n<p>Great macro lens, highly recommended for cropped sensor and full-frame shooters. There are several different versions of this lens, at different price points, all have excellent optics<\/p>\n<\/li>\n<\/ul>\n<p style=\"text-align: center;\"><img decoding=\"async\" class=\" size-full wp-image-2947\" src=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/JSF_Bobtail.jpg\" alt=\"Bobtail Squid. Moalboal, Cebu, Philippines\" title=\"Bobtail Squid. Moalboal, Cebu, Philippines Canon 5dMKII with Canon 100mm Macro Lens f\/16, 1\/200, ISO 100\" width=\"800\" height=\"533\" srcset=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/JSF_Bobtail.jpg 800w, https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/JSF_Bobtail-300x200.jpg 300w, https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/JSF_Bobtail-768x512.jpg 768w, https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/JSF_Bobtail-600x400.jpg 600w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/p>\n<p><strong>Sigma 100mm<\/strong><\/p>\n<ul>\n<li>\n<p>Many people have switched to the Canon 100mm due to the slow auto-focusing of this lens<\/p>\n<\/li>\n<\/ul>\n<p><strong>Sigma 150mm<\/strong><\/p>\n<ul>\n<li>\n<p>Used by full-frame users for macro &amp; shy subjects, working distance is quite far<\/p>\n<\/li>\n<\/ul>\n<div>&nbsp;<\/div>\n<h2><a name=\"CANONCHART\"><\/a>Canon Underwater Lens Chart&nbsp;<\/h2>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"80\" valign=\"top\">\n<div>Lens<\/div>\n<\/td>\n<td width=\"61\" valign=\"top\">\n<div>Diagonal Field of view on Canon 50D<\/div>\n<\/td>\n<td width=\"64\" valign=\"top\">\n<div>Aperture<\/div>\n<\/td>\n<td width=\"83\" valign=\"top\">\n<div>Max magnification &amp; min. focus distance<\/div>\n<\/td>\n<td width=\"56\" valign=\"top\">&nbsp;<\/td>\n<\/tr>\n<tr>\n<td width=\"80\" valign=\"top\">\n<div>Sigma 15mm fisheye<\/div>\n<\/td>\n<td width=\"61\" valign=\"top\">\n<div>108<\/div>\n<\/td>\n<td width=\"64\" valign=\"top\">\n<div>F2.8<\/div>\n<\/td>\n<td width=\"83\" valign=\"top\">\n<div>1:5, 15cm<\/div>\n<\/td>\n<td width=\"56\" valign=\"top\">&nbsp;<\/td>\n<\/tr>\n<tr>\n<td width=\"80\" valign=\"top\">Canon 15mm fisheye<\/td>\n<td width=\"61\" valign=\"top\">108<\/td>\n<td width=\"64\" valign=\"top\">F2.8<\/td>\n<td width=\"83\" valign=\"top\">1:7, 20cm<\/td>\n<td width=\"56\" valign=\"top\"><\/td>\n<\/tr>\n<tr>\n<td width=\"80\" valign=\"top\">\n<div>Tokina 10-17mm fisheye<\/div>\n<\/td>\n<td width=\"61\" valign=\"top\">\n<div>180-100<\/div>\n<\/td>\n<td width=\"64\" valign=\"top\">\n<div>F3.5-F4.5<\/div>\n<\/td>\n<td width=\"83\" valign=\"top\">\n<div>1:2.5, 14cm<\/div>\n<\/td>\n<td width=\"56\" valign=\"top\">&nbsp;<\/td>\n<\/tr>\n<tr>\n<td width=\"80\" valign=\"top\">\n<div>Sigma 10-20mm<\/div>\n<\/td>\n<td width=\"61\" valign=\"top\">\n<div>107-68<\/div>\n<\/td>\n<td width=\"64\" valign=\"top\">\n<div>F4-F5.6<\/div>\n<\/td>\n<td width=\"83\" valign=\"top\">\n<div>1:6.7, 24cm<\/div>\n<\/td>\n<td width=\"56\" valign=\"top\"><\/td>\n<\/tr>\n<tr>\n<td width=\"80\" valign=\"top\">\n<div>Canon 10-22mm<\/div>\n<\/td>\n<td width=\"61\" valign=\"top\">\n<div>107-63<\/div>\n<\/td>\n<td width=\"64\" valign=\"top\">\n<div>F3.5-F4.5<\/div>\n<\/td>\n<td width=\"83\" valign=\"top\">\n<div>1:6, 24cm<\/div>\n<\/td>\n<td width=\"56\" valign=\"top\"><\/td>\n<\/tr>\n<tr>\n<td width=\"80\" valign=\"top\">\n<div>Tokina 12-24mm<\/div>\n<\/td>\n<td width=\"61\" valign=\"top\">\n<div>97-59<\/div>\n<\/td>\n<td width=\"64\" valign=\"top\">\n<div>F4<\/div>\n<\/td>\n<td width=\"83\" valign=\"top\">\n<div>1:8, 30cm<\/div>\n<\/td>\n<td width=\"56\" valign=\"top\"><\/td>\n<\/tr>\n<tr>\n<td width=\"80\" valign=\"top\">\n<div>Tokina 11-16mm<\/div>\n<\/td>\n<td width=\"61\" valign=\"top\">\n<div>104-82<\/div>\n<\/td>\n<td width=\"64\" valign=\"top\">\n<div>F2.8<\/div>\n<\/td>\n<td width=\"83\" valign=\"top\">\n<div>1:11.6, 30cm<\/div>\n<\/td>\n<td width=\"56\" valign=\"top\">&nbsp;<\/td>\n<\/tr>\n<tr>\n<td width=\"80\" valign=\"top\">\n<div>Canon 17-40mm<\/div>\n<\/td>\n<td width=\"61\" valign=\"top\">\n<div>77-37<\/div>\n<\/td>\n<td width=\"64\" valign=\"top\">\n<div>F4<\/div>\n<\/td>\n<td width=\"83\" valign=\"top\">\n<div>1:4.2, 28cm<\/div>\n<\/td>\n<td width=\"56\" valign=\"top\">&nbsp;<\/td>\n<\/tr>\n<tr>\n<td width=\"80\" valign=\"top\">\n<div>Canon 16-35mm II<\/div>\n<\/td>\n<td width=\"61\" valign=\"top\">\n<div>80-42<\/div>\n<\/td>\n<td width=\"64\" valign=\"top\">\n<div>F2.8<\/div>\n<\/td>\n<td width=\"83\" valign=\"top\">\n<div>&nbsp;1:4.5, 28cm<\/div>\n<\/td>\n<td width=\"56\" valign=\"top\"><\/td>\n<\/tr>\n<tr>\n<td width=\"80\" valign=\"top\">Tamron 17-50mm<\/td>\n<td width=\"61\" valign=\"top\">78-31<\/td>\n<td width=\"64\" valign=\"top\">F2.8<\/td>\n<td width=\"83\" valign=\"top\">1:4.5, 27cm<\/td>\n<td width=\"56\" valign=\"top\"><\/td>\n<\/tr>\n<tr>\n<td width=\"80\" valign=\"top\">Canon 18-55mm IS<\/td>\n<td width=\"61\" valign=\"top\">74-28<\/td>\n<td width=\"64\" valign=\"top\">F3.5-5.6<\/td>\n<td width=\"83\" valign=\"top\">1:3, 25cm<\/td>\n<td width=\"56\" valign=\"top\"><\/td>\n<\/tr>\n<tr>\n<td width=\"80\" valign=\"top\">\n<div>Sigma 17-70mm<\/div>\n<\/td>\n<td width=\"61\" valign=\"top\">\n<div>77-11<\/div>\n<\/td>\n<td width=\"64\" valign=\"top\">\n<div>F2.8-F4.5<\/div>\n<\/td>\n<td width=\"83\" valign=\"top\">\n<div>1:2.3, 20cm<\/div>\n<\/td>\n<td width=\"56\" valign=\"top\"><\/td>\n<\/tr>\n<tr>\n<td width=\"80\" valign=\"top\">\n<div>Inon UFL-MR130<\/div>\n<\/td>\n<td width=\"61\" valign=\"top\">\n<div>130<\/div>\n<\/td>\n<td width=\"64\" valign=\"top\">\n<div>wet lens<\/div>\n<\/td>\n<td width=\"83\" valign=\"top\">\n<div>&nbsp;?, 0cm<\/div>\n<\/td>\n<td width=\"56\" valign=\"top\">&nbsp;<\/td>\n<\/tr>\n<tr>\n<td width=\"80\" valign=\"top\">\n<div>Canon 24mmL<\/div>\n<\/td>\n<td width=\"61\" valign=\"top\">\n<div>59<\/div>\n<\/td>\n<td width=\"64\" valign=\"top\">\n<div>F1.4<\/div>\n<\/td>\n<td width=\"83\" valign=\"top\">\n<div>&nbsp;1:6, 25cm<\/div>\n<\/td>\n<td width=\"56\" valign=\"top\"><\/td>\n<\/tr>\n<tr>\n<td width=\"80\" valign=\"top\">\n<div>Tokina 35mm Macro<\/div>\n<\/td>\n<td width=\"61\" valign=\"top\">\n<div>42<\/div>\n<\/td>\n<td width=\"64\" valign=\"top\">\n<div>F2.8<\/div>\n<\/td>\n<td width=\"83\" valign=\"top\">\n<div>1:1, 14cm<\/div>\n<\/td>\n<td width=\"56\" valign=\"top\">&nbsp;<\/td>\n<\/tr>\n<tr>\n<td width=\"80\" valign=\"top\">\n<div>Canon EF-S 60mm Macro<\/div>\n<\/td>\n<td width=\"61\" valign=\"top\">\n<div>25<\/div>\n<\/td>\n<td width=\"64\" valign=\"top\">\n<div>F2.8<\/div>\n<\/td>\n<td width=\"83\" valign=\"top\">\n<div>1:1, 20cm<\/div>\n<\/td>\n<td width=\"56\" valign=\"top\">&nbsp;<\/td>\n<\/tr>\n<tr>\n<td width=\"80\" valign=\"top\">\n<div>Canon 100mm Macro USM<\/div>\n<\/td>\n<td width=\"61\" valign=\"top\">\n<div>15<\/div>\n<\/td>\n<td width=\"64\" valign=\"top\">\n<div>F2.8<\/div>\n<\/td>\n<td width=\"83\" valign=\"top\">\n<div>1:1, 31cm<\/div>\n<\/td>\n<td width=\"56\" valign=\"top\">&nbsp;<\/td>\n<\/tr>\n<tr>\n<td width=\"80\" valign=\"top\">Sigma 105mm<\/td>\n<td width=\"61\" valign=\"top\">15<\/td>\n<td width=\"64\" valign=\"top\">F2.8<\/td>\n<td width=\"83\" valign=\"top\">1:1,31cm<\/td>\n<td width=\"56\" valign=\"top\">&nbsp;<\/td>\n<\/tr>\n<tr>\n<td width=\"80\" valign=\"top\">Sigma 150mm<\/td>\n<td width=\"61\" valign=\"top\">&nbsp;<\/td>\n<td width=\"64\" valign=\"top\">F2.8<\/td>\n<td width=\"83\" valign=\"top\">1:1,38cm<\/td>\n<td width=\"56\" valign=\"top\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<div>&nbsp;<\/div>\n<div>&nbsp;<\/div>\n<div>&nbsp;<\/div>\n<h2><strong><a name=\"NIKON\"><\/a>Best Recommended Starting Lens Kits<\/strong><\/h2>\n<h4><strong>Nikon Cropped Sensor Lens Recommendations:<\/strong><\/h4>\n<ul>\n<li>\n<p><a href=\"\/tokina-10-17mm-fisheye\">Tokina 10-17mm<\/a> *** best choice for wide-angle***<\/p>\n<\/li>\n<li>\n<p>Nikon 60mm *** best starter lens for fish, macro***<\/p>\n<\/li>\n<\/ul>\n<div>&nbsp;<\/div>\n<p>After buying those 2 lenses, consider:<\/p>\n<ul>\n<li>\n<p>Nikon 105mm VR (as a 2nd macro lens or for supermacro). Read a <a href=\"https:\/\/www.uwphotographyguide.com\/book\/macro-lenses\/\">comparison between the 60mm and 105mm<\/a><\/p>\n<\/li>\n<li>\n<p>Sigma 17-70mm (for marine life shots &amp; pelagics, with the proper dome port support, extension, and zoom ring)<\/p>\n<\/li>\n<li>\n<p>Nikon 10-24mm (for sharks, whales, tuna, other pelagics)<\/p>\n<\/li>\n<\/ul>\n<div>&nbsp;<\/div>\n<h4><strong>Nikon Full Frame Lens Recommendations:<\/strong><\/h4>\n<ul>\n<li>\n<p>Sigma 15mm fisheye&nbsp;<\/p>\n<\/li>\n<li>\n<p>Tokina 10-17mm fisheye lens<\/p>\n<\/li>\n<li>\n<p>Nikon 16-35mm F4 VR<\/p>\n<\/li>\n<li>\n<p>Nikon 105mm&nbsp;<\/p>\n<\/li>\n<\/ul>\n<p>For very skittish subjects, you can also consider the Sigma 150mm macro, and for larger fish, the Nikon 60mm AF-S macro.<\/p>\n<div>&nbsp;<\/div>\n<div>&nbsp;<\/div>\n<h4><strong><a name=\"OLYMPUS\"><\/a>Olympus dSLR Lens Recommendations<\/strong><\/h4>\n<ul>\n<li>\n<p>Zuiko 8mm fisheye<\/p>\n<\/li>\n<li>\n<p>Zuiko 7-14mm or zuiko 9-18mm. The 7-14mm is wider, and of higher quality, but costs double.<\/p>\n<\/li>\n<li>\n<p>Zuiko 14-54mm \u2013 good mid-range lens<\/p>\n<\/li>\n<li>\n<p>Zuiko 35mm macro.&nbsp; &#8211; good for larger fish and macro subjects. working distance is a little too close, but on the plus side, it does 1:1 macro (18mm across)<\/p>\n<\/li>\n<li>\n<p>Zuiko 50mm.&nbsp; Best lens for macro. Also works well with a 1.4x teleconverter. Does 1:2 macro (36mm across).<\/p>\n<\/li>\n<li>\n<p>Sigma 105mm \u2013 slow auto-focus, and a little too long with the 2.0 crop factor. Not highly recommended<\/p>\n<\/li>\n<\/ul>\n<div>&nbsp;<\/div>\n<h2 style=\"text-align: center;\">Olympus Lens Example Photos<\/h2>\n<div style=\"text-align: center;\">&nbsp;<\/div>\n<div style=\"text-align: center;\"><img decoding=\"async\" width=\"400\" height=\"298\" class=\" size-full wp-image-2948 size-full wp-image-2949 size-full wp-image-2950\" src=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/underwater_olympus.jpg\" alt=\"janolus nudibranch, catalina, olympus 50mm macro lens\" title=\"Taken with Olympus 50mm lens, photo by Peter Gallup. F18, 1\/160th, ISO 200\" style=\"vertical-align: top;\" srcset=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/underwater_olympus.jpg 400w, https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/underwater_olympus-300x224.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/div>\n<div style=\"text-align: center;\">&nbsp;<\/div>\n<div style=\"text-align: center;\"><img decoding=\"async\" src=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/olympus_14-42mm_lens_underwater.jpg\" alt=\"sea turtle, olympus 14-42mm lens\" title=\"Taken with the Olympus 14-42mm zoom, at 14mm. Photo by Peter Gallup. F5.6, 1\/125th, ISO 200\" style=\"vertical-align: top;\" \/><\/div>\n<div style=\"text-align: center;\">&nbsp;<\/div>\n<div style=\"text-align: center;\"><img decoding=\"async\" src=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/olympus_8mm_fisheye_underwater.jpg\" alt=\"underwater photo taken with olympus 8mm fisheye lens\" title=\"Taken with an Olympus 8mm fisheye lens with an E-300, photo by Chuck Catlett.\" style=\"vertical-align: top;\" width=\"400\" height=\"298\" \/><\/div>\n<div>&nbsp;<\/div>\n<h4><strong><a name=\"CANON\"><\/a>Canon Cropped Sensor Lens Recommendations:<\/strong><\/h4>\n<ul>\n<li>\n<p><a href=\"\/tokina-10-17mm-fisheye\">Tokina 10-17mm<\/a> *** best choice for wide-angle<\/p>\n<\/li>\n<li>\n<p>Canon 10-22mm for sharks, pelagics<\/p>\n<\/li>\n<li>\n<p>Sigma 17-70mm for a mid-range lens<\/p>\n<\/li>\n<li>\n<p>Canon 60mm *** great first choice for fish, macro<\/p>\n<\/li>\n<li>\n<p>Canon 100mm best choice for supermacro with a wet diopter<\/p>\n<\/li>\n<\/ul>\n<div><a href=\"https:\/\/www.uwphotographyguide.com\/book\/macro-lenses\/\">Read the comparison between the Canon 60mm and 100mm lenses here.<\/a><\/div>\n<h4><strong>Canon Full Frame Lens Recommendations:<\/strong><\/h4>\n<ul>\n<li>\n<p>Sigma 15mm, Tokina 10-17mm fisheye lens or Canon 8-15mm fisheye&nbsp;<\/p>\n<\/li>\n<li>\n<p>Canon 24mm prime (F1.4 or F2.8, depending on your budget)<\/p>\n<\/li>\n<li>\n<p>Canon 11-24mm, 17-40mm, 16-35mm F4, or 16-35mm II zoom, depending on your budget<\/p>\n<\/li>\n<li>\n<p>Canon 24-70mm F2.8 II for a mid-range lens<\/p>\n<\/li>\n<li>\n<p>Canon 100mm f\/2.8 Macro IS USM<\/p>\n<\/li>\n<li>\n<p>Sigma 150mm (as a 2<sup>nd<\/sup> macro lens, for very shy subjects)<\/p>\n<\/li>\n<\/ul>\n<p style=\"text-align: center;\"><img decoding=\"async\" class=\" size-full wp-image-2951\" src=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/Jenna_Szerlag_Cleaner_Shrimp.jpg\" alt=\"White Striped Cleaner Shrimp. Maui, Hawaii \" title=\"White Striped Cleaner Shrimp. Maui, Hawaii  Canon 100mm f\/2.8 Macro IS USM with Nauticam SMC-1\" width=\"800\" height=\"533\" srcset=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/Jenna_Szerlag_Cleaner_Shrimp.jpg 800w, https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/Jenna_Szerlag_Cleaner_Shrimp-300x200.jpg 300w, https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/Jenna_Szerlag_Cleaner_Shrimp-768x512.jpg 768w, https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/Jenna_Szerlag_Cleaner_Shrimp-600x400.jpg 600w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/p>\n<h2 style=\"font-size: 30px; line-height: 45px;\">Compact Camera Wet Lenses<\/h2>\n<h2 style=\"font-size: 30px; line-height: 45px;\">\n<p style=\"color: #474747; font-size: 15px; font-weight: 400;\">Please read&nbsp;<a href=\"\/underwater-wet-lenses\">Wet Lenses for Underwater Photography<\/a><\/p>\n<\/h2>\n<h2 style=\"font-size: 30px; line-height: 45px;\">Micro-Four Thirds Lenses<\/h2>\n<p>The <a href=\"https:\/\/www.uwphotographyguide.com\/panasonic-8mm-fisheye-review\/\">Panasonic 8mm fisheye lens <\/a>is a great option for close-focus wide-angle. Some people use the kit lens with a wet macro lens for everything else.The Panasonic 45mm macro lens is a sharp, but expensive macro lens. We also really like the new <a href=\"https:\/\/www.uwphotographyguide.com\/news\/olympus-60mm-macro-lens-review\/\">Olympus 60mm macro lens <\/a>even better.You can read our complete guide to the<a href=\"https:\/\/www.uwphotographyguide.com\/best-lenses-micro-four-thirds-cameras\/\"> best micro-four thirds lenses for underwater photography.<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h2>Further Recommended Reading&nbsp;<\/h2>\n<p><a href=\"underwater-photography-camera-selection-guide\">Underwater Camera selection guide<\/a><\/p>\n<p><a href=\"https:\/\/www.uwphotographyguide.com\/book\/underwater-photography-guide\/underwater-photography-equipment\/dome-ports-macro-ports\/\">Underwater ports<\/a><\/p>\n<p><a href=\"https:\/\/www.uwphotographyguide.com\/underwater-photography-strobes\/\">Underwater strobes<\/a><\/p>\n<p><a href=\"\/dome-port-optics\">Dome Port Optics<\/a><\/p>\n<p><a href=\"\/sigma-15mm-tokina-fisheye-review\">Full-frame: choosing the Sigma or Tokina fisheye<\/a><\/p>\n<p><a href=\"https:\/\/www.bluewaterphotostore.com\/nauticam-wwl-mwl-wacp\">Guide to Nauticam Wet Wide Angle Lenses<\/a><\/p>\n<p><a href=\"https:\/\/www.bluewaterphotostore.com\/products\/search\/nauticam%20port%20chart\">Nauticam Port Chart<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Quick Links Compact Camera Wet Lenses | Olympus Lenses | Best Nikon Lenses | Best Canon Lenses Nikon Lens [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2953,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"sfsi_plus_gutenberg_text_before_share":"","sfsi_plus_gutenberg_show_text_before_share":"","sfsi_plus_gutenberg_icon_type":"","sfsi_plus_gutenberg_icon_alignemt":"","sfsi_plus_gutenburg_max_per_row":"","footnotes":""},"categories":[1],"tags":[197],"vocabulary_11":[],"vocabulary_3":[],"vocabulary_5":[79],"vocabulary_9":[],"vocabulary_6":[],"vocabulary_10":[],"vocabulary_13":[],"vocabulary_16":[],"vocabulary_4":[],"vocabulary_14":[],"vocabulary_15":[],"vocabulary_7":[],"vocabulary_1":[],"vocabulary_12":[],"vocabulary_2":[196],"vocabulary_17":[],"vocabulary_18":[],"vocabulary_8":[],"class_list":["post-2952","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-featured","vocabulary_5-technique-tutorial","vocabulary_2-featured"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Best Lenses for Underwater Photography - Underwater Photography Guide<\/title>\n<meta name=\"description\" content=\"A guide to the best lenses for underwater photography, macro and wide-angle lenses, compact &amp; 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