{"id":17129,"date":"2009-05-02T21:39:30","date_gmt":"2009-05-02T21:39:30","guid":{"rendered":"https:\/\/uwphoto.onpressidium.com\/book\/natural-light-compositions\/"},"modified":"2025-08-15T06:57:16","modified_gmt":"2025-08-15T06:57:16","slug":"natural-light-compositions","status":"publish","type":"book","link":"https:\/\/www.uwphotographyguide.com\/book\/underwater-photography-guide\/underwater-photography-composition\/natural-light-compositions\/","title":{"rendered":"Natural Light Underwater &#8211; Capturing the Surface"},"content":{"rendered":"<h1 style=\"text-align: center;\">\n\tNatural Light Photography<\/h1>\n<p style=\"text-align: center;\">By Scott Gietler<\/p>\n<p>&nbsp;<\/p>\n<div id=\"fb-root\">\n\t&nbsp;<\/div>\n<p><script src=\"https:\/\/connect.facebook.net\/en_US\/all.js#xfbml=1\"><\/script><script type=\"text\/javascript\" src=\"https:\/\/apis.google.com\/js\/plusone.js\"><\/script><\/p>\n<div id=\"shareThis\">\n<div id=\"shareThisTitle\">\n\t\tSHARE THIS STORY<\/div>\n<div class=\"fbLike\" id=\"fb_root\">\n\t\t<fb:like action=\"like\" font=\"lucida grande\" locale=\"en_US\" show_faces=\"false\" width=\"244\"><\/fb:like><\/div>\n<div>\n<div class=\"fbShare sharable\">\n\t\t\t<a class=\"fb_share\" href=\"http:\/\/www.facebook.com\/sharer.php\" name=\"fb_share\" type=\"box_count\">Share<\/a><script src=\"scripts\/FB.Share\" type=\"text\/javascript\"><\/script><\/div>\n<div class=\"tweet sharable\">\n\t\t\t<iframe allowtransparency=\"true\" class=\"twitter-share-button\" frameborder=\"0\" height=\"63\" id=\"tweet_frame_401083\" name=\"tweet_frame_401083\" role=\"presentation\" scrolling=\"no\" src=\"https:\/\/platform.twitter.com\/widgets\/tweet_button.html?count=vertical\" width=\"55\"><\/iframe><\/div>\n<div class=\"plusone sharable\">\n\t\t\t<g:plusone size=\"tall\"><\/g:plusone><\/div>\n<\/p><\/div>\n<\/div>\n<p>Sometimes our instinct when we dive underwater is to go deep. But sometimes we should come back towards the surface. Using the surface of the water in our photos is a great compositional technique that we all should try more often. Here you will find some photos, examples, technique and tips.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>These shots can be taken with a dSLR, or a compact. Next time you are in the water, instead of heading deep, head for the surface, and incorporate surface textures, <a href=\"\/underwater-photography-reflections\">surface reflections<\/a>, <a href=\"\/underwater-photography-sunbursts-and-sunballs\">sunbeams<\/a>, backlit kelp, and surface structures into your underwater photography compositions.<\/p>\n<p>&nbsp;<\/p>\n<h2>\n\tInteresting Structure<\/h2>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" class=\" size-full wp-image-17125\" align=\"top\" alt=\"nautral light underwater photography\" height=\"353\" src=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/05\/526445319_DaAi8-M.jpg\" width=\"530\" srcset=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/05\/526445319_DaAi8-M.jpg 600w, https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/05\/526445319_DaAi8-M-300x200.jpg 300w\" sizes=\"(max-width: 530px) 100vw, 530px\" \/><\/p>\n<p>Canon 5D, Sigma 15mm FE, 1\/200 at 4.5, ISO 160. Photo by Carol Yin. I think the surface reflections and the underwater structure really make this shot work. Carol says &quot;The scene sometimes gets lost when using the fisheye lens, because everything looks so far away. This picture works for me because the spring was actually sort of small, and the reflection under the surface served as a visual ceiling to increase the sense of depth&quot;.<\/p>\n<p>&nbsp;<\/p>\n<p class=\"rtecenter\"><img decoding=\"async\" class=\" size-full wp-image-17126\" align=\"top\" alt=\"\" src=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/05\/526589232_CQmif-M.jpg\" width=\"348\" height=\"450\" srcset=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/05\/526589232_CQmif-M.jpg 348w, https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/05\/526589232_CQmif-M-232x300.jpg 232w\" sizes=\"(max-width: 348px) 100vw, 348px\" \/><\/p>\n<p class=\"rtecenter\">Oil rig beams and kelp come together to make a nice background along with the surface water. Photo by Mike Bartick, Oil rigs, Huntington beach, California.<\/p>\n<p>&nbsp;<\/p>\n<h2>\n\tSunbeams through water with particles<\/h2>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" class=\" size-full wp-image-17124\" align=\"top\" alt=\"\" src=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2019\/05\/526445487_nQboU-M.jpg\" width=\"600\" height=\"400\" \/><\/p>\n<p>Canon 5D, Sigma 15mm FE, 1\/200 at f4.5, ISO 160. Photo by Carol Yin. Carol says &quot;The sun rays in this image were so dramatic because we were so close to the surface, and the water was so murky that morning&quot;.<br \/>\n\t&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h2>\n\tLight through the kelp and other interesting colors<\/h2>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" class=\" size-full wp-image-17127\" align=\"top\" alt=\"\" src=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/05\/526445032_uRhDq-M.jpg\" width=\"600\" height=\"400\" srcset=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/05\/526445032_uRhDq-M.jpg 600w, https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/05\/526445032_uRhDq-M-300x200.jpg 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>Canon 5D with 17-40mm (at 17mm), 1\/125 at f4.5, ISO 200, 15ft of water. Sunny Day at Anacapa island, California. Gettin a backlit surface covering half of your photo is a great compositional effect.<\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" class=\" size-full wp-image-17128\" align=\"top\" alt=\"\" src=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/05\/505908485_JURcK-M.jpg\" width=\"599\" height=\"442\" srcset=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/05\/505908485_JURcK-M.jpg 599w, https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/05\/505908485_JURcK-M-300x221.jpg 300w\" sizes=\"(max-width: 599px) 100vw, 599px\" \/><\/p>\n<p>Nikon 300, Tokina 10-17mm lens. Shooting through the kelp, into the sun, trying to get the water on the surface into the photo. F11, 1\/800th, ISO 200<\/p>\n<p>&nbsp;<\/p>\n<h2>\n\tAmbient Light Reef Shots<\/h2>\n<p>&nbsp;<\/p>\n<p>Reading the section on <a href=\"\/underwater-photography-ambient-light-manual-white-balance\">Ambient light and manual white balance underwater<\/a> for examples of getting good reef and fish shots below the surface.<\/p>\n<p>&nbsp;<\/p>\n<h2>\n\tPhotography Tips<\/h2>\n<ul>\n<li>\n\t\tGet within 10ft of the surface<\/li>\n<li>\n\t\tturn off your strobes unless you have a foreground subject you need to light up<\/li>\n<li>\n\t\tHide the sun behind something if possible<\/li>\n<li>\n\t\tExposure properly so the texture of the water can clearly be seen<\/li>\n<li>\n\t\tFill 1\/3 to 1\/2 of the frame with the water \/ surface.<\/li>\n<\/ul>\n<h2>\n\t&nbsp;<\/h2>\n<h3>\n\tFurther Reading<\/h3>\n<ul>\n<li>\n<p><a href=\"\/underwater-photography-reflections\">Reflections in underwater photography<\/a><\/p>\n<\/li>\n<li>\n<p><a href=\"\/underwater-photography-sunbursts-and-sunballs\">Sunbeams and sunbursts underwater<\/a><\/p>\n<\/li>\n<li>\n<p><a href=\"\/snells-window-underwater\">Snell&#39;s window<\/a><\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<hr \/>\n<h2>\n\tSupport the Underwater Photography Guide<\/h2>\n<p>Please support the Underwater Photography Guide by purchasing your underwater photography gear through our sister site, <a href=\"http:\/\/www.bluewaterphotostore.com\/\" target=\"_blank\">Bluewater Photo &amp; Video<\/a>. Click, or call them at (310) 633-5052 for expert advice!<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.bluewaterphotostore.com\/\" target=\"_blank\"><img decoding=\"async\" class=\" size-full wp-image-3093\" alt=\"\" src=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2010\/06\/bluewater-photo-logo.jpg\" style=\"width: 125px; height: 57px;\" width=\"250\" height=\"113\" \/><\/a><\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n","protected":false},"author":2,"featured_media":17124,"parent":16813,"menu_order":8,"template":"","meta":{"_acf_changed":false,"sfsi_plus_gutenberg_text_before_share":"","sfsi_plus_gutenberg_show_text_before_share":"","sfsi_plus_gutenberg_icon_type":"","sfsi_plus_gutenberg_icon_alignemt":"","sfsi_plus_gutenburg_max_per_row":""},"vocabulary_11":[],"vocabulary_3":[],"vocabulary_5":[],"vocabulary_9":[],"vocabulary_6":[],"vocabulary_10":[],"vocabulary_13":[],"vocabulary_16":[],"vocabulary_4":[],"vocabulary_14":[],"vocabulary_15":[],"vocabulary_7":[],"vocabulary_1":[],"vocabulary_12":[],"vocabulary_2":[],"vocabulary_17":[],"vocabulary_18":[],"vocabulary_8":[],"class_list":["post-17129","book","type-book","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Natural Light Underwater - Capturing the Surface - Underwater Photography Guide<\/title>\n<meta name=\"description\" content=\"Underwater compositions using natural light underwater - capturing surface patterns &amp; 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