{"id":16906,"date":"2009-02-27T01:45:07","date_gmt":"2009-02-27T01:45:07","guid":{"rendered":"https:\/\/uwphoto.onpressidium.com\/book\/underwater-photography-composition-beginners\/"},"modified":"2025-08-15T06:57:11","modified_gmt":"2025-08-15T06:57:11","slug":"underwater-photography-composition-beginners","status":"publish","type":"book","link":"https:\/\/www.uwphotographyguide.com\/book\/underwater-photography-guide\/underwater-photography-composition\/underwater-photography-composition-beginners\/","title":{"rendered":"Composition for Beginners"},"content":{"rendered":"<p style=\"text-align: left;\">The beginner photographer is probably just trying to take nice photos of fish, divers, <a href=\"\/nudibranchs\">sea slugs<\/a>, and reefs. Your initial goal should just be getting comfortable taking attractive, colorful shots.<\/p>\n<div>\n<p>If you haven&#8217;t read the <a href=\"https:\/\/www.uwphotographyguide.com\/book\/underwater-photography-guide\/underwater-photography-guide-beginners\/\">underwater beginner&#8217;s guide<\/a> yet, I would check it out. If focal length, zoom, prime, macro, and telephoto are confusing words, please read the <a href=\"https:\/\/www.uwphotographyguide.com\/book\/underwater-photography-guide\/underwater-photography-guide-beginners\/underwater-photography-camera-basics\/\">lens basics<\/a> chapter first.<\/p>\n<p>It&#8217;s probably easiest to discuss what people do wrong when they first start taking photographs underwater, and how to correct them.<\/p>\n<h2>A List of Common Mistakes Beginners Make with Underwater Compositon<\/h2>\n<p>&nbsp;<\/p>\n<h4>1) Not getting close enough<\/h4>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; This is probably the biggest mistake beginner photographers make underwater. If you are taking a photo of something small, try to be only a few inches away. If it is something larger, try to get within a couple of feet. Make sure you are using your camera flash to add color to the photo.&nbsp; If you want to take a photo of something further away, you probably want to do it as an <a href=\"https:\/\/www.uwphotographyguide.com\/book\/underwater-photography-guide\/underwater-photography-lighting\/underwater-photography-ambient-light-manual-white-balance\/\">ambient light shot<\/a> (without a flash).<\/p>\n<p>&nbsp;<\/p>\n<h4>2) Shooting down instead of shooting up<\/h4>\n<p><span>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/span>The majority of people start off underwater swimming over subjects and taking photos from above the subject. It takes practice getting below a subject and shooting up. Getting close to a subject and shooting at an upward angle can produce very dramatic shots.<\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" class=\" size-full wp-image-16886\" src=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/150244699_HcFNA-S.jpg\" title=\"This nudibranch is shot from above. The nudibranch photo below, under #5, is shot from getting down low, and is much more interesting.\" style=\"vertical-align: top;\" width=\"400\" height=\"293\" srcset=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/150244699_HcFNA-S.jpg 400w, https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/150244699_HcFNA-S-300x220.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/p>\n<p style=\"text-align: center;\">&nbsp;<\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" class=\" size-full wp-image-16887\" src=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/485590933_jfMe8-M.jpg\" title=\" This trumpetfish is clearly shot from below, very nicely done. Photo by Diana Vicei.\" style=\"vertical-align: top;\" width=\"338\" height=\"450\" srcset=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/485590933_jfMe8-M.jpg 338w, https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/485590933_jfMe8-M-225x300.jpg 225w\" sizes=\"(max-width: 338px) 100vw, 338px\" \/><\/p>\n<p style=\"text-align: center;\">&nbsp;<\/p>\n<p><img decoding=\"async\" class=\" size-full wp-image-16885\" src=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2019\/05\/344634598_V62ZB-M-1.jpg\" title=\"It's not always easy to shoot &quot;up&quot; on fish swimming by, but the results are worth it if you can. This sheephead fish was above me, I was shooting up at an angle at the edge of a sloping reef.\" style=\"display: block; margin-left: auto; margin-right: auto; vertical-align: top;\" width=\"600\" height=\"402\" \/><\/p>\n<p style=\"text-align: center;\">&nbsp;<\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" class=\" size-full wp-image-16888\" src=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/485722357_fnpQi-S.jpg\" title=\"This is not ideal - a shot from above. You want to be low and shoot at least at eye level, if possible.\" style=\"vertical-align: top;\" width=\"400\" height=\"266\" srcset=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/485722357_fnpQi-S.jpg 400w, https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/485722357_fnpQi-S-300x200.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/p>\n<p style=\"text-align: center;\">&nbsp;<\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" class=\" size-full wp-image-16889\" src=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/492436997_LBxEN-M.jpg\" title=\"This is an exception to the shooting down rule. Goby at catalina. F8, 1\/250th, ISO 200, D300 + 60mm +1.4x tele. Compositions where the subject forms an interesting curve, pattern or color combination can be shot from directly above. In this case, the slight curve of the goby and the red on red makes the shot work.\" style=\"vertical-align: top;\" width=\"343\" height=\"450\" srcset=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/492436997_LBxEN-M.jpg 343w, https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/492436997_LBxEN-M-229x300.jpg 229w\" sizes=\"(max-width: 343px) 100vw, 343px\" \/><\/p>\n<p style=\"text-align: center;\">&nbsp;<\/p>\n<h4>3) Not giving enough space<\/h4>\n<p>The subject in a photo should not be too close to the edge of the photo, especially the face or direction it may be swimming. People often say they should be given &#8220;room to swim&#8221;.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" class=\" size-full wp-image-16890\" src=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/485725829_8ZECq-S.jpg\" alt=\"In this photo there needs to be more room to the right of the fish.\" title=\"In this photo there needs to be more room to the right of the fish.\" style=\"vertical-align: top;\" width=\"400\" height=\"266\" srcset=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/485725829_8ZECq-S.jpg 400w, https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/485725829_8ZECq-S-300x200.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/p>\n<p style=\"text-align: center;\">&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" class=\" size-full wp-image-16891\" src=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/485725392_XRuEG-S.jpg\" alt=\"Again, this fish is pretty but it needs more room on the right.\" title=\"Again, this fish is pretty but it needs more room on the right.\" style=\"vertical-align: top;\" width=\"400\" height=\"266\" srcset=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/485725392_XRuEG-S.jpg 400w, https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/485725392_XRuEG-S-300x200.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/p>\n<p style=\"text-align: center;\">&nbsp;<\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" class=\" size-full wp-image-16892\" src=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/352830984_wtUA3-S.jpg\" title=\" In this photo the fish has some room to the right of it, which makes a better composition. I used a dSLR with a macro lens and a large aperture, which blurred the background. If you are using a compact camera getting the blurred background will be more difficult, but you can still get a nice photo.\" style=\"vertical-align: top;\" width=\"400\" height=\"266\" srcset=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/352830984_wtUA3-S.jpg 400w, https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/352830984_wtUA3-S-300x200.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/p>\n<p style=\"text-align: center;\">&nbsp;<\/p>\n<h4>4) Amputations, fish butts, etc.<\/h4>\n<p>Some things just don&#8217;t look pleasing in photos, like when part of a fish or diver is &#8220;amputated&#8221;, or cut off by the edge of a photo. Another shot you want to avoid is a fish butt, which is getting a photo of a fish when it is swimming away from you. Take the time to get better compositions so you can avoid showing these photos. Try to take time to get a photo of a fish facing you.<\/p>\n<p>Note that sometimes it is ok to have some of the subject not in the photo, but that is usually true of closeups or fill-the-frame shots. If you can&#8217;t get the entire fish in the frame, get a closeup, head-on shot, or artistic shot. Or some other really good composition that makes up for the missing parts.<\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" class=\" size-full wp-image-16893\" src=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/485727895_mCNsA-S.jpg\" alt=\"It would have been nice to get the entire tail of this fish in the photo.\" title=\"It would have been nice to get the entire tail of this fish in the photo.\" style=\"display: block; margin-left: auto; margin-right: auto; vertical-align: top;\" width=\"400\" height=\"300\" srcset=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/485727895_mCNsA-S.jpg 400w, https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/485727895_mCNsA-S-300x225.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/p>\n<p><img decoding=\"async\" class=\" size-full wp-image-16894\" src=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/485724533_SMzD7-S.jpg\" alt=\"This fish is very hard to photograph. Most photos showcase the &quot;fish butt&quot;, like this one.\" title=\"This fish is very hard to photograph. Most photos showcase the &quot;fish butt&quot;, like this one.\" style=\"display: block; margin-left: auto; margin-right: auto; vertical-align: top;\" width=\"400\" height=\"266\" srcset=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/485724533_SMzD7-S.jpg 400w, https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/485724533_SMzD7-S-300x200.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" class=\" size-full wp-image-16895\" src=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/485725178_3Ut7Y-S.jpg\" alt=\"Here we have done a little better. No fish butt, and it even has &quot;room to swim&quot; in the frame.\" title=\"Here we have done a little better. No fish butt, and it even has &quot;room to swim&quot; in the frame.\" style=\"vertical-align: top;\" width=\"400\" height=\"266\" srcset=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/485725178_3Ut7Y-S.jpg 400w, https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/485725178_3Ut7Y-S-300x200.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" class=\" size-full wp-image-16896\" src=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/149126576_MTtfK-S.jpg\" alt=\"This photo is technically good, well exposed, but the composition could be better. The shot is slightly from above, instead of eye-level, the fish has no room on the left, and part of the fish is amputated.\" title=\"This photo is technically good, well exposed, but the composition could be better. The shot is slightly from above, instead of eye-level, the fish has no room on the left, and part of the fish is amputated.\" style=\"vertical-align: top;\" width=\"400\" height=\"268\" srcset=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/149126576_MTtfK-S.jpg 400w, https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/149126576_MTtfK-S-300x201.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/p>\n<p style=\"text-align: center;\">&nbsp;<\/p>\n<p style=\"text-align: center;\">&nbsp;<\/p>\n<h4>5) Not getting the eyes\/ rhinophores of a subject in focus<\/h4>\n<p><img decoding=\"async\" class=\" size-full wp-image-16897\" src=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/479416702_gVNz8-M.jpg\" title=\"Notice how the rhinophores are in sharp focus. The rhinophores are the two ridged &quot;antennaes&quot; at the top of the sea slug. (Beginner photographers stop reading here, advanced shooters read on). Having both rhinophores parallel to the image plane makes this task easier. My dSLR also allowed me to move my single focus point right on the rhinophore, assuring a sharp focus. Having multiple focus points to choose from is a big advantage in getting the composition you want. Shot at F18. If I had another chance, I'd shoot at F13 to try to get the background blurred a little more, but then I risk having the front tip of the animal out of focus.\" style=\"display: block; margin-left: auto; margin-right: auto;\" width=\"600\" height=\"399\" srcset=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/479416702_gVNz8-M.jpg 600w, https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/479416702_gVNz8-M-300x200.jpg 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: center;\">&nbsp;<\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" class=\" size-full wp-image-16898\" src=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/492436516_aEbXu-M.jpg\" alt=\"Janolus nudibranch at Catalina Island. D300 + 60mm + 1.4x tele. I made sure I moved my focus points over the rhinophores to get them in focus. Shot at F18 for good depth of field. \" title=\"Janolus nudibranch at Catalina Island. D300 + 60mm + 1.4x tele. I made sure I moved my focus points over the rhinophores to get them in focus. Shot at F18 for good depth of field. \" style=\"display: block; margin-left: auto; margin-right: auto; vertical-align: top;\" width=\"599\" height=\"415\" srcset=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/492436516_aEbXu-M.jpg 599w, https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/492436516_aEbXu-M-300x208.jpg 300w\" sizes=\"(max-width: 599px) 100vw, 599px\" \/><\/p>\n<p style=\"text-align: center;\">&nbsp;<\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" class=\" size-full wp-image-16899\" src=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/542521039_mkRHj-S.jpg\" alt=\"Pipefish at Catalina Island\" title=\"Pipefish at Catalina island, USA. Like I said, &quot;Get the eyes in focus&quot;. F14, 1\/200th, ISO 320. D300, 105mm lens\" style=\"vertical-align: top;\" width=\"222\" height=\"300\" \/><\/p>\n<p style=\"text-align: center;\">&nbsp;<\/p>\n<p style=\"text-align: center;\">&nbsp;<\/p>\n<h4>6) Centering the subject in all of your shots<\/h4>\n<p>Also called &#8220;bull&#8217;s eyeing&#8221; the subject &#8211; Sometimes centering can be ok, especially in very close up shots, but try composing some of your shots off-center and see how you like the composition.<\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" class=\" size-full wp-image-16900\" src=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/493537680_UiyPX-M.jpg\" title=\"Besides looking better if the shot was taken closer, this fish would have looked better if it was off-center. fuji F10, 1\/100th, F8\" style=\"display: block; margin-left: auto; margin-right: auto; vertical-align: top;\" width=\"600\" height=\"450\" srcset=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/493537680_UiyPX-M.jpg 600w, https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/493537680_UiyPX-M-300x225.jpg 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: center;\">&nbsp;<\/p>\n<p style=\"text-align: center;\">&nbsp;<\/p>\n<h4>7) Not cropping to create a better composition<\/h4>\n<p> Experienced photographers often crop their photos to the best composition possible. (They also often get it right in camera).&nbsp;It\u2019s best to get it right in the camera, but don\u2019t be afraid to crop, within reason. Cropping does reduce your maximum print size.<\/p>\n<ul> <\/ul>\n<p>&nbsp;<a name=\"BACK\"><\/a><\/p>\n<h4>8)<span>&nbsp; <\/span>Not thinking about the background<\/h4>\n<p>You should be asking yourself &#8211; what is behind my subject? What kind of background would look best? Is the background distracting, do I want the background blurred out?<\/p>\n<p><strong>How to make a background less distracting:<\/strong><\/p>\n<ul>\n<li>\n<p>Get lower to shoot up more<\/p>\n<\/li>\n<li>\n<p>Rotate around the subject to shoot at a different angle<\/p>\n<\/li>\n<li>\n<p>Zoom in or use a longer lens, which will isolate the subject more<\/p>\n<\/li>\n<li>\n<p>If you are using a dSRL, use a larger aperture (smaller f-stop number)&nbsp;to blur the background<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" width=\"339\" height=\"300\" class=\" alignleft size-full wp-image-16901 alignleft size-full wp-image-16902 alignleft size-full wp-image-16903 alignleft size-full wp-image-16904 alignleft size-full wp-image-16905\" src=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/150244444_p86cv-S.jpg\" align=\"left\" srcset=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/150244444_p86cv-S.jpg 339w, https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/150244444_p86cv-S-300x265.jpg 300w\" sizes=\"(max-width: 339px) 100vw, 339px\" \/><\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" src=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/479407432_YSDQZ-S.jpg\" align=\"top\" \/><\/p>\n<p style=\"text-align: center;\">This kelpfish is pretty, but the background is quite distracting. If you are using a dSLR, a smaller aperture could have helped blur the background more. In the 2nd photo, I&nbsp;waited until the pipefish floated in front of the crinoid for a nice background.<\/p>\n<p style=\"text-align: center;\">&nbsp;<\/p>\n<h2><strong>Bonus Tip<\/strong>!&nbsp;<\/h2>\n<h4><strong>9) Not having a prominent subject<\/strong><\/h4>\n<div>&nbsp;<\/div>\n<p>This is especially common in a wide-angle underwater photo. There is no prominent subject.<\/p>\n<p> &nbsp; <\/p>\n<div style=\"text-align: center;\"><img decoding=\"async\" src=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/165229359_zEQ9r-S.jpg\" alt=\"underwater photography composition\" title=\"Here's a photo I took a couple years ago. Perfectly nice wide-angle shot, but no strong foreground subject.\" style=\"vertical-align: top;\" \/><\/div>\n<p style=\"text-align: center;\">&nbsp;<\/p>\n<p> &nbsp; <\/p>\n<div>&nbsp;<\/div>\n<div style=\"text-align: center;\"><img decoding=\"async\" src=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/192395396_K5RMY-S.jpg\" alt=\"underwater composition beginner mistakes\" title=\"This photo from the oil rigs is not bad, but it is not outstanding. It lacks a strong foreground subject. Don't feel bad for taking shots like this, I do it all the time, but try to think about finding a strong foreground subject the next time you take underwater photos.\" style=\"vertical-align: top;\" \/><\/div>\n<p style=\"text-align: center;\">&nbsp;<\/p>\n<p> &nbsp; <\/p>\n<div>&nbsp;<\/div>\n<div><img decoding=\"async\" src=\"https:\/\/www.uwphotographyguide.com\/wp-content\/uploads\/2009\/02\/4675781186_3612372568.jpg\" alt=\"underwater photo composition example\" title=\"Ok, here's an example of a wide-angle photo with a distinct foreground subject. A gloveless diver (Keri Wilk) in the background helps to complete the photo. California Oil Rigs, F13, 1\/320th, ISO 250, Tokina 10-17mm @16mm\" style=\"display: block; margin-left: auto; margin-right: auto; vertical-align: top;\" width=\"339\" height=\"300\" \/><\/div>\n<p style=\"text-align: center;\">&nbsp;<\/p>\n<h3 style=\"text-align: center;\">&nbsp;<\/h3>\n<p>&nbsp;<\/p>\n<h3>Further Reading<\/h3>\n<ul>\n<li>\n<p><a href=\"\/underwater-photography-intermediate-composition\">Composition rules for underwater photographers<\/a><\/p>\n<\/li>\n<li>\n<p><a href=\"\/face-on-underwater-composition\">&#8220;Face-on&#8221; underwater macro composition<\/a><\/p>\n<\/li>\n<li>\n<p><a href=\"https:\/\/bestphotographygear.com\/perspective-in-photography\/\">Perspective in Photography<\/a><\/p>\n<p>&nbsp;<\/p>\n<\/li>\n<\/ul>\n<\/div>\n","protected":false},"author":2,"featured_media":16885,"parent":16813,"menu_order":0,"template":"","meta":{"_acf_changed":false,"sfsi_plus_gutenberg_text_before_share":"","sfsi_plus_gutenberg_show_text_before_share":"","sfsi_plus_gutenberg_icon_type":"","sfsi_plus_gutenberg_icon_alignemt":"","sfsi_plus_gutenburg_max_per_row":""},"vocabulary_11":[],"vocabulary_3":[],"vocabulary_5":[],"vocabulary_9":[],"vocabulary_6":[],"vocabulary_10":[],"vocabulary_13":[],"vocabulary_16":[],"vocabulary_4":[],"vocabulary_14":[],"vocabulary_15":[],"vocabulary_7":[],"vocabulary_1":[],"vocabulary_12":[],"vocabulary_2":[],"vocabulary_17":[],"vocabulary_18":[],"vocabulary_8":[],"class_list":["post-16906","book","type-book","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Composition for Beginners - Underwater Photography Guide<\/title>\n<meta name=\"description\" content=\"Composition for Underwater Photography, including getting close, shooting up, getting the eyes in focus, centering the subject, getting a good background.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.uwphotographyguide.com\/book\/underwater-photography-guide\/underwater-photography-composition\/underwater-photography-composition-beginners\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Composition for Beginners - Underwater Photography Guide\" \/>\n<meta property=\"og:description\" content=\"Composition for Underwater Photography, including getting close, shooting up, getting the eyes in focus, centering the subject, getting a good background.\" \/>\n<meta property=\"og:url\" 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